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The Antechamber of Hell

from 30 immolated ; 16 returned by 30 immolated ; 16 returned

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    30 immolated ; 16 returned is the self-titled debut album from Hamilton’s most despicable extreme metal band. Developed through intense and abstract systematic theories of chaos and transgression – 30 immolated depicts the sexual taboos found in the Marquis de Sade’s 120 Days of Sodom, through a non-stop battery of screaming guitars, punishing drums, and thundering bass accompanied by the cries of torture and violence. Comes in a jewel case with several pictures of the band with art work by Agustin Segundo Lobos

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about

The victims are then gathered for a speech by the libertines that places them into a state of paralyzed fear. They are assured that their families have been made to believe that their children are already dead, removing any chance of them being found through search parties. They are warned to follow every whim of the libertines otherwise they would be horribly punished, and threatened with death for the mere mention of “this infamous God." All hope is removed from the situation from this point on, with the only real escape being the final immolation scheduled to take place on the 1st of March.

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from 30 immolated ; 16 returned, track released August 16, 2019

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30 immolated ; 16 returned Hamilton, Ontario

30 immolated; 16 returned are Hamilton, Canada's most despicable extreme metal band. Developed through intense and abstract systematic theories of chaos and transgression – 30 immolated depicts the sexual taboos found in the Marquis de Sade’s 120 Days of Sodom, through a non-stop battery of screaming guitars, punishing drums, and thundering bass accompanied by the cries of torture and violence. ... more

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